Entries in the Category "doctor zhivago"
The AFI's 100 Greatest Movies (Pts. 1 and 2) Summed Up
Earlier, I wrote a sum-up of my experience with Entertainment Weekly's 100 New Classics list. I'm finally following up with a sum-up of the AFI lists!
Here's how I felt about the AFI lists:
Least enjoyed: A Night at the Opera, Duck Soup, MASH, Mutiny on the Bounty, One Flew Over the Cuckoo’s Nest, Platoon, Shane, Sunrise, Swing Time
Most enjoyed: 12 Angry Men, City Lights, Doctor Zhivago, Giant, High Noon, King Kong, Midnight Cowboy, Modern Times, Spartacus, Sullivan’s Travels, The Bridge on the River Kwai, The Deer Hunter, The Godfather
Pre-list favorites: All About Eve, American Graffiti, Casablanca, Dr. Strangelove, Fargo, Jaws, North by Northwest, Rear Window, Sunset Boulevard, The Apartment, The Graduate, The Maltese Falcon, The Manchurian Candidate, The Philadelphia Story
Other than the movies themselves, which of course were all new to me, I saw some interesting actors for the first time, notably Van Heflin, John Cazale, Omar Sharif, and Fay Wray. This was also my first exposure to directors David Lynch, George Stevens, D.W. Griffith and Sam Peckinpah. The Summer Movie Watch necessitated my first (and last) two Marx brothers movie viewings.
It’s harder for me to name all the movies I think should have been on the AFI list and that weren’t than it is for me to say what should have been on the EW list. This is simply because I have seen fewer films from the 30s, 40s, 50s, 60s and 70s than from the 80s, the 90s and the 00s. I can’t help when I was born, after all. But I have seen enough that I put together this short list of notable omissions: Roman Holiday, The Palm Beach Story, Notorious, His Girl Friday, Charade, Born Yesterday, It Should Happen to You, Advise and Consent, Brief Encounter, Gilda, The Shop Around the Corner, In a Lonely Place, and Reds. As far as I know, all of these films were eligible for inclusion with the possible exception of Brief Encounter, which is officially a British film (but then so is Lawrence of Arabia, River Kwai, and several others that the AFI didn’t mind taking credit for, so…).
Other list factoids: The AFI list presented me with the three shortest and the two longest movies I viewed: Lawrence of Arabia at 216 minutes and Ben-Hur at 212 minutes were the longest (the next longest was a tie, with Giant and EW’s Lord of the Rings: Return of the King at 201 minutes each, and no, that’s not even the extended edition of LOTR). The shortest movie I watched was Duck Soup at just 68 minutes (68 long minutes, because Marx brothers sheesh), then Frankenstein at 70 minutes and The General at 75. The dates on those movies—1933, 1931, and 1926 respectively—are telling. Movies were shorter back then both because of the technology (innovations in film production made filmmaking basics easier and quicker, for example) and because movies were frequently shown in double and triple features. People spent a lot more time at the movies before they had TVs in their homes.
The most represented director on both versions of the AFI list is Steven Spielberg with 5 films. The second list swaps out Close Encounters for Saving Private Ryan (which was made the same year as the first list was released). I had already seen 4 of the first 5 and 3 of the second 5, so I actually only watched 2 Spielberg movies throughout the movie watch.
The next two most represented directors are Alfred Hitchcock and Billy Wilder, each with the same four films appearing on both lists. These are two of my absolute favorite directors, and I had seen all four of both sets of films. In fact, I believe I once watched three of Wilder’s (Sunset Boulevard, The Apartment, and Some Like it Hot) all in a row one rainy Sunday afternoon. I had also seen all three of the Frank Capra movies on the lists, and all three of the John Huston films.
The most represented director on my movie watch was George Stevens, who had four movies on the two lists, none of which I had seen, and then Robert Altman and David Lean, each with three movies I hadn't seen.
One thing I noticed is that only one director (James Cameron) had 3 or more films on the EW list, compared to the several who had 3 and 4 on the AFI lists—and, of course, Senor Spielbergo with 5. I can draw the conclusion that the EW list is more deliberately diverse than the AFI lists, or just reflect that the film industry has grown exponentially in every direction in the last twenty-five years and there was just more for EW to choose from. Probably both are somewhat true.
The EW list skewed my decade stats; I saw the most movies from the 80s and 90s simply because the EW list added an extra hundred of them to the total. For the AFI list, I watched films mostly from the 1970s, the 1960s and the 1930s. I needed to watch only two movies from the 1940s, considered by many to be the Golden Age of Hollywood, and well-represented on the list, because I had seen the majority of them already (Citizen Kane, It’s a Wonderful Life, Casablanca: already familiar).
Popular genres on the AFI lists are war movies and musicals, with a handful of westerns and mob movies. A lot of my favorites are the more unclassifiable ones: The Apartment. Fargo. All About Eve. The Philadelphia Story. Are these dramas? Comedies? I classify my absolute favorite genre of film as “the poignant comedy.” I wish it occurred more often in nature.
Epic Wednesday: Films of David Lean
I've been looking forward to this Epic Wednesday--today I watch two films from master director Sir David Lean, Lawrence of Arabia and Doctor Zhivago. Lean was known for sweeping epics full of beautiful camerawork. I'm halfway through Lawrence now, and even on my modest TV the desert seems to stretch a hundred visible miles in each direction. Seeing so much empty space involves the viewer in Lawrence's journey, makes us feel as though we too must take each step. Here's an article on the work of David Lean that perhaps does his genius a bit more justice than I can.
IMDB reminds me that Lean also directed one of the best list movies I have watched so far, The Bridge on the River Kwai--and amazing movie about prisoners of war struggling to maintain their dignity in the enemy camp.
Yet I think my favorite Lean film might still be Brief Encounter, one of the most beautiful thwarted romances ever. If I have any stamina left after today's two films, both of them 3 hours and change, then I will put on Brief Encounter, which doesn't appear on any of my lists but is a masterpiece regardless.
Join me next week for Epic Wednesday: Depression Special: Schindler's List and Sophie's Choice.
By the way, if anyone is interested in my summer movie watch statistics, here are today's calculations:
After today's two films, I will have a total of 38 films left to watch. That's 42% of the total films I needed to watch; I passed the halfway point last Wednesday amidst the westerns.
Fourteen movies will finish the EW list; twenty-seven will finish both the AFI lists. (Note: There are three films which appear on both the EW and AFI lists which are being counted on both sides.) My plan right now is to exhaust the EW list first and end on the AFI list--I want the last movie to be a fantastic one.
Epic Wednesday: Westerns
Tomorrow was meant to be a double header of two classic films based on novels, films which decided to recreate the experience of reading the novels by taking approximately as long to watch them as it would take to read them. I.e., Doctor Zhivago and Lawrence of Arabia.
Unfortunately, Lawrence of Arabia is apparently an extremely hot property. It's been borrowed from both Case's library as well as Cleveland Heights'.
Subbing in, then, are the following movies:
High Noon
Shane
The Searchers
The Wild Bunch
Unlike war movies or mob epics, westerns actually tend to clock in at extremely short and manageable times. High Noon is an impressive 83 minutes long. Shane and The Searchers both fall just on the sweet side of two hours at 118 and 119 minutes, respectively. The Wild Bunch is slightly over two hours, but this is not a problem both because my movie stamina is at Olympic levels right now, and also because it's got William Holden in it.
See you tomorrow, Bill!