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Movie Reviews: Epic Wednesday Ghetto Life

I’m more Gilmore Girls than ghetto, of course, and so I can’t say that the realism of the movie really struck me or that I felt a spiritual connection with the characters or anything like that. Yeah, good stories are universal, but there’s a certain wall between me and this kind of life that sort of absents me from having anything real to say about it.
I know narratives, though, and this was a good one. The threads of the story were woven quite skillfully together, what seemed to be isolated incidences reverberating later, until they all came together in one explosive tangle. (Does that work?) There was also a nice parallelism with Caine’s childhood and Anthony’s, including the nearly-identical scenes on the stoops. The guy who will eventually be Anthony’s father teaches Caine how to be a thug; years later he finds himself in the same situation in the opposite role, with a kid at his feet. I don’t know what to make of the fact that he didn’t speak at all, and waited for Ronnie, Anthony’s mom, to come out and rescue him.
It is a bit puzzling—though moments in the film were clearly telegraphed from the get-go (I’m at home saying, “Someone’s gonna die right about now, I don’t know who, but…”), other moments were more careful and ambiguous. The character of Ronnie (Jada Pinkett later Smith) was the biggest puzzle, for me. In fact, she seemed to exist in a different movie altogether. She complained that Caine had become hardened, but how was she living in this environment without being hardened herself? How was she not filled with the rage that was fueling everybody else? “Do cops hate us?” her kid asks her and she says, “no, of course not, it was a misunderstanding.” That’s an extremely generous view to take of things—where is she drawing that strength from? Caine’s grandparents are explicitly drawing their optimism from their religious faith; Ronnie didn’t seem to have devoted herself to anything in that way.
Maybe we were supposed to understand that she had devoted her energy to Caine himself, who was a pretty questionable idol, seeing as he became more and more of an ass throughout the film. Was it for his benefit that she invited all those thug guys to her house for her going-away party? She couldn’t be friends with them if all she does is hassle them about their lifestyles and what they’re smoking and the kind of role models they are for her son. Just don’t invite them, Ronnie.
Spike Lee, and Michael Jordan wannabes, after the jump.
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Epic Thursday?
I had to shift my epic day this week; yesterday I was out of town.
Today's schedule:
10:00am - Sophie's Choice
2:00pm - Schindler's List
It's the Depression Special! All Holocaust, all the time.
For anyone who, like me, is obsessed with my list statistics, the viewing of Schindler's List will finish me on the top ten films of both AFI lists. I have quite nearly finished the top twenties as well; just One Flew Over the Cuckoo's Nest (AFI 1998) and 2001: A Space Odyssey (AFI 2007) will do it.
Schindler is on EW's list, too, being less than 25 years old. (Such a serious movie, and it's just a teenager! That's so cute!) It doesn't fall within the top twenty at all, but at number 21, below such masterpieces as The Matrix and Casino Royale. When I mark it off, I will have just one film left in EW's top twenty-five, Spike Lee's Do the Right Thing.
I'll watch Lee's film during next week's regularly scheduled Epic Wednesday. It'll be joined by other portraits of ghetto life Menace II Society and Hoop Dreams.