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    <title>Thomas Hayes&apos;s blog</title>
    <link>http://blog.case.edu/twh7/</link>
    <description>http://thayes.case.edu</description>
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    <pubDate>Fri, 12 Sep 2008 21:15:26 EST</pubDate>
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      <enclosure url="http://blog.case.edu/twh7/2008/09/11/buriedChild-1-thumb.jpg" length="34524" type="image/jpeg" /><enclosure url="http://blog.case.edu/twh7/2008/09/11/buriedChild-1.jpg" length="144548" type="image/jpeg" /><enclosure url="http://blog.case.edu/twh7/2008/09/11/buriedChild-2-thumb.jpg" length="32565" type="image/jpeg" /><enclosure url="http://blog.case.edu/twh7/2008/09/11/buriedChild-2.jpg" length="75471" type="image/jpeg" />
      <title>Buried Child at convergence!</title>
      <link>http://blog.case.edu/twh7/2008/09/12/buried_child_at_convergence</link>
      <description>BURIED CHILD by Sam Shepard directed by Clyde Simon September 26 – October 25 Cross the threshold into the heart[land]...</description>
      <guid>http://blog.case.edu/twh7/2008/09/12/buried_child_at_convergence</guid>
      
      <pubDate>Fri, 12 Sep 2008 21:15:26 EST</pubDate>
      <content:encoded><![CDATA[<p><strong>BURIED CHILD</strong><br />
<em>by Sam Shepard</em><br />
directed by Clyde Simon</p>

<p><strong>September 26 – October 25</strong></p>

<p>Cross the threshold into the heart[land] of America.</p>

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<a href="http://blog.case.edu/twh7/2008/09/11/buriedChild-1.jpg"><img alt="buriedChild-1.jpg" src="http://blog.case.edu/twh7/2008/09/11/buriedChild-1-thumb.jpg" width="150" height="114" /></a></td>
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<a href="http://blog.case.edu/twh7/2008/09/11/buriedChild-2.jpg"><img alt="buriedChild-2.jpg" src="http://blog.case.edu/twh7/2008/09/11/buriedChild-2-thumb.jpg" width="150" height="202" /></a></td></tr></table>

<p>Winner of the 1979 Pulitzer Prize, this powerful and brilliant play probes deep into the disintegration of the American Dream.  The setting is a once Norman Rockwell-esque, but now squalid farmhouse occupied by a family filled with suppressed violence.  The inhabitants are a cantankerous whiskey-swilling grandfather; a pious grandmother who goes on drinking binges with the local minister; and their sons: Tilden, a former All-American footballer who’s now a hulking semi-idiot; and Bradley, who has lost one leg to a chain saw.  Into their midst comes Vince, a grandson none of them recognizes or remembers, and his girlfriend, Shelly, who cannot comprehend the lunacy into which she is suddenly introduced.  The family harbors a dark, tightly-held domestic secret, which Shelly  probes to unravel, while mysterious crops suddenly start to appear out back in the fields.</p>

<p><strong>Case students enter discount code <font size="+1">CWRU</font> at TicketLeap for a <font size="+1">28% discount</font> on tickets prices.</strong></p>

<p>Artistic Director Clyde Simon, an affirmed Sam Shepard enthusiast (previous convergence productions include Shepard’s The Unseen Hand,  Action, La Turista, States of Shock) directs. With Buried Child hetakes a fresh look at Sam Shepard’s magical and mysterious contemporary classic, an American family saga that jolts between domestic humor and gothic horror.</p>

<p>For more information go to <a href="http://www.convergence-continuum.org">http://www.convergence-continuum.org</a></p>]]></content:encoded>
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      <enclosure url="http://blog.case.edu/twh7/pictures/2Slain-thumb.gif" length="15902" type="image/gif" /><enclosure url="http://blog.case.edu/twh7/pictures/2Slain.gif" length="15904" type="image/gif" /><enclosure url="http://blog.case.edu/twh7/pictures/DMCAkron-thumb.gif" length="6828" type="image/gif" /><enclosure url="http://blog.case.edu/twh7/pictures/DMCAkron.gif" length="6826" type="image/gif" /><enclosure url="http://blog.case.edu/twh7/pictures/ProQuest-thumb.gif" length="12988" type="image/gif" /><enclosure url="http://blog.case.edu/twh7/pictures/ProQuest.gif" length="13032" type="image/gif" />
      <title>2 Slain; Gunbattle on 5th Avenue!</title>
      <link>http://blog.case.edu/twh7/2007/03/01/2_slain_gunbattle_on_5th_avenue</link>
      <description> Just to give you a demonstration of how powerful are the tools at your fingertips, I have chosen to...</description>
      <guid>http://blog.case.edu/twh7/2007/03/01/2_slain_gunbattle_on_5th_avenue</guid>
              <category domain="http://blog.case.edu/twh7/library_related/index.html">Library Related</category>
      
      <pubDate>Thu, 01 Mar 2007 12:25:04 EST</pubDate>
      <content:encoded><![CDATA[<p><a href="http://blog.case.edu/twh7/pictures/2Slain.gif"><img alt="2Slain.gif" src="http://blog.case.edu/twh7/pictures/2Slain-thumb.gif" width="174" height="220" align="left"/></a></p>

<p>Just to give you a demonstration of how powerful are the tools at your fingertips, I have chosen to expand on what I did yesterday with the Art & Architecture database: namely, I have chosen to find the dramatic history surrounding one photograph in the Akron Museum collection. <a href="http://blog.case.edu/twh7/pictures/DMCAkron.gif"><img alt="DMCAkron.gif" src="http://blog.case.edu/twh7/pictures/DMCAkron-thumb.gif" width="183" height="110" align="right"/></a></p>

<p>In the <a href="http://dmc.ohiolink.edu/art/Login">Art & Architecture database</a> through the Digital Media Center, I chose, out of curiosity, to see what was in the DMC from the collection at the Akron Museum.  So, I selected “Museum/Repository” from the field box at the search page, and typed “Akron” in the search box.   </p>

<p>This search yielded 102 results. The sixth record on the page was a photograph, the title of which is ‘<a href="http://dmc.ohiolink.edu/art/Details?oid=397133">Anthony Esposito, Accused “Cop Killer” 1941.</a>’  The picture is black and white and the cop killer at booking.  He is grossly disheveled and having just been “roundly kicked and pummeled by civilian captors.”  The photograph is gripping.  How do I know he was "roundly kicked and pummeled by civilian captors," you ask?</p>

<p><strong>Finding the Event</strong><br />
With the title information of the photograph alone, I went to <a href="http://proquest.umi.com/pqdweb?RQT=403&TS=1172769655&clientId=43422">ProQuest’s Databases</a>, specifically, the Historical Newspapers: The New York Times (1851-2003) to dig a bit deeper.  I ran a search on the name of the man, “Anthony Esposito” and a date range “01/01/1941 – 12/31/1941” not knowing when in 1941 the event occurred. </p>

<p><a href="http://blog.case.edu/twh7/pictures/ProQuest.gif"><img alt="ProQuest.gif" src="http://blog.case.edu/twh7/pictures/ProQuest-thumb.gif" width="266" height="134" align="left"/></a></p>

<p>The result?  There are 40 full text, page image, articles on the event, from its dramatic beginning, the chase and capture, through to the court trials (including one attempting to feign insanity in the courtroom).  The information ends here because I limited the search to 1941.  However, when I expanded the search to more years I got to the culmination of the series in November of 1942, with six civilians being given awards.  </p>

<p><strong>How did it end?</strong><br />
The culmination of the story for the Espositos was in March of 1942, though I’ll leave you to discover what became of it all.</p>]]></content:encoded>
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      <title>A Digital Museum at your mouse tip!</title>
      <link>http://blog.case.edu/twh7/2007/02/28/a_digital_museum_at_your_mouse_tip</link>
      <description>The Digital Media Center at OhioLINK is a vast resource that is available to all members of the Case community....</description>
      <guid>http://blog.case.edu/twh7/2007/02/28/a_digital_museum_at_your_mouse_tip</guid>
              <category domain="http://blog.case.edu/twh7/library_related/index.html">Library Related</category>
      
      <pubDate>Wed, 28 Feb 2007 11:43:54 EST</pubDate>
      <content:encoded><![CDATA[<p>The Digital Media Center at OhioLINK is a vast resource that is available to all members of the Case community.  The Digital Media Center contains electronic images, sounds, video, arial maps, and other multimedia.  </p>

<p>Broadly, the DMC at OhioLINK includes nine (9) databases: Art and Architecture; Borror Laboratory of Bioacoustics, Digital Animal Sounds; Digital Video Collection (1,529 videos); Foreign Language Digital Videos; Historic and Archival Digital Media; LANDSAT 7 Satellite Images; Sanborn Digital Maps; Science Digital Media; Social Sciences Digital Media; each database is broken out into its own collection.</p>

<p>For instance, being a playwright, I was interested in Henrik Ibsen and discovered that searching the <a href="http://dmc.ohiolink.edu/media/ffhLogin">Digital Video Collection</a> there was a video named <a href="http://dmc.ohiolink.edu/media/ffhDetails?oid=5918847&&results=10&sort=title&searchstatus=1&hits=4&count=3">Henrik Ibsen: The Master Playwright</a>, from Films for Humanities and Sciences.</p>

<p>The Digital Media Center is available at <a href="http://dmc.ohiolink.edu/">http://dmc.ohiolink.edu/</a></p>

<p>There is so much in the DMC, though, that I thought I would highlight individual collections, starting with the <a href="http://dmc.ohiolink.edu/art/Login">Art and Architecture Database</a>.  </p>]]></content:encoded>
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      <title>Scrotums and Hoo-Hahs</title>
      <link>http://blog.case.edu/twh7/2007/02/20/scrotums_and_hoohahs</link>
      <description>There is always debate in libraries regarding the role that the librarian plays in society. Is the librarian a filter...</description>
      <guid>http://blog.case.edu/twh7/2007/02/20/scrotums_and_hoohahs</guid>
              <category domain="http://blog.case.edu/twh7/current_topics/index.html">Current Topics</category>
      
      <pubDate>Tue, 20 Feb 2007 12:31:45 EST</pubDate>
      <content:encoded><![CDATA[<p>There is always debate in libraries regarding the role that the librarian plays in society.  Is the librarian a filter between the information need of a patron and the collection: that is, does the librarian help narrow the scope and focus the search; is the librarian a tool or instrument to aid a patron in navigating the complexities of the library? After all, not everyone knows how to search a database or use an index or a catalog; the organization of information in libraries, which has been happening for thousands of years, is more complex than can be served by Google’s algorithms.  What role does the librarian have? If a man comes to the reference desk asking for information about the value of his 1972 Pontiac, the librarian points the way and even shows the person how to find the information.  But what if it’s a 15-year-old girl looking for information on abortion clinics?  Or a man with a long beard looking for information on making a bomb?  Or children reading a book that mentions the word “scrotum?”</p>

<p>My opinion on the matter has always been that of a passive tool.  I will help the person find the information they desire.  I will not judge the request nor will I interpret the information for them.  I find it equally important in matters of collection development.  Collection development is the process of selecting the material that will be included in a library collection.  There are policies on this that state, usually, we will collect all books that meet this criteria: X Y Z.  Policies are usually in place to ensure the orderly and unbiased purchasing of materials that represent a variety of viewpoints on a subject: after all, a library is purchasing material for more than one person: more than a hundred people; and in some cases, more than one thousand.  So, who is to say what is right and wrong?  My view on income taxes may be entirely different than yours.  My view of alcohol consumption and smoking is likely different as well.  No one person can posture his or her view as being the final view or the only view on a subject.  This is why it is awful to see librarians willfully refusing to purchase a children’s book (a <a href="http://www.ala.org/ala/alsc/awardsscholarships/literaryawds/newberymedal/newberymedal.htm">Newberry Award winner</a>) because it mentions the word “<a href="http://www.nytimes.com/2007/02/18/books/18newb.html?_r=2&oref=slogin&oref=slogin">scrotum</a>.”</p>

<p>The euphemistic pattern in our country, especially with regard to bodily functions and bodily parts, is really quite comic and sad.  Pathetic.  Another recent example is the woman who complained of having to see the word “vagina” on the marquee of a theatre running the <a href="http://www.boingboing.net/2007/02/08/the_hoohah_monologue.html">Vagina Monologues</a>.  Frankly, the fear of the body is the fear of the self and the denial of more than half of one’s existence.  The people who fear the body will be greatly pleased in some distant future when the body is removed and our minds, brains, consciousnesses float around disembodied in some plastic manufactured container.  Body experience will be relegated to the trash heap of history and will be re-phrased as inputs and outputs.  The brain will live forever in Tupperware, but what will living be like?  The fear of the body says as much about the person, who longs for a plastic body: hairless, odorless, neutered, removed of all reality, meaning, and vitality.  These people feel the same about their children and their children’s minds: plastic, neutered, inoffensive.  They are the same people who promote fairy tales stripped of the lightning flashes of mythic meaning; the unconscious depravity that makes life potent and worthwhile.  The sisters of Cinderella don’t cut off their toes to fit the shoe; instead they struggle make it fit, or worse, just give over to apathy and don’t really care at all.</p>

<p>The librarians who refuse to purchase this book and place themselves in the Godly position of doing what the parents should do: decide what their own children will see, read, and know, are violating one of the most sanctified ideals of the library profession.  They are accountants who embezzle. They are judges who take bribes.  They are priests who molest.  They are guilty of a great betrayal and are sad, sad representatives of their profession.</p>

<p>Each human should have the right to select the forms of human expression to which he or she will subscribe.  For children, this is the role of the parent.  If a parent doesn’t want his or her child exposed the word “scrotum,” that is their right.  But parents all too often revoke this right, expecting society to do what they should in fact be doing: and then become outraged when it isn’t done to their taste: parents who use libraries as daycare centers; require televisions with vchips rather than actively engaging their children and paying attention to what they do and what they are exposed to; require schools to teach their children about sex, provide showers, feed them, baby-sit them: but not discipline them…in short, parents who dispose of their responsibilities.</p>

<p>Secret parts was the word in Medieval times.  Unmentionables. Bathroom.  Restroom. Behind. Hoo Hah. Peepee. Tinkle. It’s all enough to make one want to throw-up.</p>]]></content:encoded>
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      <enclosure url="http://blog.case.edu/twh7/podcasts/ElectronicContent.mp3" length="6756096" type="audio/mpeg" />
      <title>Scan Your Journal Articles?</title>
      <link>http://blog.case.edu/twh7/2007/02/16/scan_your_journal_articles</link>
      <description>Yesterday, a woman came into the Freedman Center looking for help scanning journal articles to PDF. She had around 24...</description>
      <guid>http://blog.case.edu/twh7/2007/02/16/scan_your_journal_articles</guid>
              <category domain="http://blog.case.edu/twh7/library_related/index.html">Library Related</category>
      
      <pubDate>Fri, 16 Feb 2007 11:25:06 EST</pubDate>
      <content:encoded><![CDATA[<p>Yesterday, a woman came into the Freedman Center looking for help scanning journal articles to PDF.  She had around 24 current journals, and each article was around 10 pages in length.  That’s 240 scans.  At an optimistic 2 minutes per scan that comes out to 480 minutes or a minimum of 8 hours of scanning time.  It likely would have been longer, and even worse, if she isn’t familiar with <em>how</em> to scan specifically for creating PDFs, her articles would have had <em>massive</em> file sizes.</p>

<p>While I understand the impulse to scan journal articles, I am always surprised at what people do not know about the modern library—or perhaps, what we in the library don’t communicate as well as we should.  It has always been difficult communicating the very great benefits that the library offers, primarily, I think, due to the timing.  Students are introduced to the library when they are not in the position of needing it: that is, as freshmen or sophomores (periods where there is a greater reliance on standard texts than on finding, reading, and interpreting material as an independent activity). By the time the independent activity starts, students have either forgotten what they learned, or don’t think to seek a librarian to discuss what the library offers them. Alternatively, the language of libraries is often drab and unexciting, often cloaking the truly exciting things that the library does offer: like Safari Tech Books Online, which I discussed yesterday.</p>

<p>In this case, what people don’t know is that the Kelvin Smith Library and Case Western Reserve University spend tens of thousands of dollars every year on subscriptions to <a href="http://lu4ld3lr5v.search.serialssolutions.com/">electronic journals</a> and tens of thousands of dollars on agreements with organizations such as <a href="http://journals.ohiolink.edu/ejc/">OhioLINK</a> to provide even more electronic resources: full text journals, online books, electronic databases, statistical and business sources, chemistry databases with full modeled molecular structures: incredible resources that everyone should take advantage of.</p>

<p>In the case of the woman mentioned above, of the 24 journals she brought in, nearly 80% of them had full text availability.  That is, 19 of the articles she wished to scan were available for download.  That alone saved her roughly 6.3 hours of scanning.  Additionally, in the <a href="http://fc.case.edu/equipment.html">Freedman Center we have a scanner </a>called the “Sidekick” that is a sheet fed scanner, scanning roughly 30 pages per minute: to PDF or TIFF on the fly.  So, in cases such as hers, we recommend photocopying the articles and then feeding them into the sheet fed scanner.  Unfortunately, this wouldn’t have helped her, as she was looking to save the .10c copy cost.  I was going to ask her what an hour of her time was worth, and since she nearly had her PhD I would assume it was worth more than the cost of photocopying the articles—people often don’t think of that, either.</p>

<p>Regardless, for those of you out there who have considered scanning journal articles, know that the work may have been done for you already.  Remember, the web is driven by HTML (or was) which is Hypertext Markup Language.  This language is a subset of SGML: Standard Generalized Markup Language, which is used to describe, electronically, the structure of documents—generally for printing.  That is, nowadays very nearly all journal articles are born digital, increasing substantially the likelihood that the electronic version you’re looking to carry around on your flash drive already exists.</p>

<p>If you need some help “navigating the electronic landscape” and finding the electronic copies of the articles you’re looking for, go to the <a href="http://library.case.edu/ksl/ref/">Reference Desk</a>.  That’s what it is there for.  If you can’t get in, hit the <a href="http://library.case.edu/ksl/ref/ask.html">Live Chat</a> button on most library web pages to get help wherever you’re at.  Also, the library has <a href="http://library.case.edu/ksl/ref/tutorials.html">tutorials</a> that can show you how to find and access a journal electronically.</p>

<p><a href="http://blog.case.edu/twh7/podcasts/ElectronicContent.mp3">Podcast of this entry.</a><br />
</p>]]></content:encoded>
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      <enclosure url="http://blog.case.edu/twh7/podcasts/SafariTech.mp3" length="9797509" type="audio/mpeg" />
      <title>Online Books</title>
      <link>http://blog.case.edu/twh7/2007/02/15/online_books</link>
      <description>I often receive emails asking if I am familiar with a certain piece of software or if I can help...</description>
      <guid>http://blog.case.edu/twh7/2007/02/15/online_books</guid>
              <category domain="http://blog.case.edu/twh7/web_development/index.html">Web Development</category>
      
      <pubDate>Thu, 15 Feb 2007 09:15:02 EST</pubDate>
      <content:encoded><![CDATA[<p>I often receive emails asking if I am familiar with a certain piece of software or if I can help with a piece of software that I am familiar with, though not an expert.  The list includes Adobe In-design, Latex, LAMP-related questions, podcasting, and more.  Some questions I can answer, others I refer, but mostly I thought I would take the opportunity to point to some solid resources available to everyone on or off campus.</p>

<p>First, before I go too far, a plug: anyone on campus can always come to a CaseLearns course.  These courses range from all day classes to two or three hour workshops.  Topics covered include Adobe In-Design to Video workshops.  For more information, including the Spring 2007 listing of courses, see <a href="http://library.case.edu/caselearns/">http://library.case.edu/caselearns/</a>.</p>

<p>The main resource that I wanted to bring to everyone’s attention is Safari Tech Books Online.  This resource is available from any Case machine or any machine running the <a href="http://help.case.edu/connect/vpn/">VPN client</a>, by going to <a href="http://proquest.safaribooksonline.com/">http://proquest.safaribooksonline.com/</a>. For example, at Safari, when I ran a quick search on podcasting, and then clicked the “Multimedia” category, I was offered a selection of 28 books and 7 articles on the subject. For LAMP, in the “Internet/Online” category, I was offered 86 books, 9 articles, and 2 Safari guides.</p>

<p>For those of you who learn by reading and doing; or prefer the quietude of your office while learning something new, Safari is for you!</p>

<p><a href="http://blog.case.edu/twh7/podcasts/SafariTech.mp3">Podcast of this entry</a><br />
</p>]]></content:encoded>
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      <title>CSS Box Model</title>
      <link>http://blog.case.edu/twh7/2007/02/13/css_box_model</link>
      <description>I recently revised the Intermediate Dreamweaver CaseLearns workshop I teach. I moved the course from a table-based structure (using CSS...</description>
      <guid>http://blog.case.edu/twh7/2007/02/13/css_box_model</guid>
              <category domain="http://blog.case.edu/twh7/web_development/index.html">Web Development</category>
      
      <pubDate>Tue, 13 Feb 2007 16:58:54 EST</pubDate>
      <content:encoded><![CDATA[<p>I recently revised the <a href="http://thayes.case.edu/caselearns.html">Intermediate Dreamweaver CaseLearns workshop </a>I teach.  I moved the course from a table-based structure (using CSS for design) to a full CSS model that uses DIVs for the page/site structure.  If you have taken my Intermediate Dreamweaver course in the past, I would recommend taking a look at the newly designed material for the wonderful flexibility that the CSS Box Model offers.</p>

<p>In re-designing the course, I relied quite a bit on the approach used by <a href="http://betsybruce.com/conferences/AdobeOnline/">Betsy Bruce</a>.  Bruce is certified in several Adobe products, including Dreamweaver, and it was through an Adobe e-seminar that I learned of the Box Model’s comprehensive approach to site design.</p>

<p>Now, the CSS Box Model is nothing new, of course.  In fact, I frequently point participants in the Intermediate Dreamweaver workshop to <a href="http://www.csszengarden.com">CSS Zen Garden</a> for a fine example of what can be accomplished using CSS and DIVs.  I have also created websites that take advantage of the visibility and hide attributes of DIVs in combination with javascript mouseover functions: <a href="http://www.mlano.net/WebResources/default.html">Web Resources</a>. But until I designed a workshop that centered around the use of the Box Model for a page structure I never fully realized how quickly pages could be laid out, nor how completely all aspects of the page could be controlled.  And, of course, Dreamweaver makes it very easy to access the full functionality and power that DIVs offer web developers through the CSS Panel.</p>

<p>If you're interested in web design and haven’t taken advantage of what DIVs have to offer, please take a look at the CaseLearns material I have provided on <a href="http://thayes.case.edu/caselearns.html">my site</a> or the material that Betsy Bruce offers on her own (link at my site).  Additionally, if you are interested in more advanced features, including designing your own xml files and rss feeds, I encourage you to take advantage of Adobe’s <a href="http://www.adobe.com/cfusion/event/index.cfm?event=detail&id=452655&loc=en_us">online events and on-demand seminars</a>.</p>

<p><a href="mailto:Thomas.Hayes@case.edu">Let me know what you think!</a></p>]]></content:encoded>
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